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palm readingsi exist in the city limits because i want the wind to make me frail.
fragile like a ghost,
a sorry sin i promise to abstain but inevitably commit.
my bus fare is a kick down memory lane.
i walk instead.
he told me i spun words that dissolved on the tongue
before he even had the chance to taste them.
he called me sugar like a midday ritual,
dressed me in compliments more fit for kings than commoners.
i turned complacent; comforted by new beginnings
and frightened by sudden endings.
my mother never taught me how to avoid heartache.
she only told me that my heart was a gold mine
and i should never let fake jewelry lay over it.
once, out of spite, i showed her my palms and asked what she saw.
she told me that in this world full of practice, there was no time for games.
when i showed him, he said that i am overworked.
now, it is the purgatory between autumn and winter that sinks my guts.
the waiting room lacks couches and candle scents.
the smiles are either plastic or
it was only under the weight of the stars
that vulnerability personified
and he floated into my arms like an honest promise.
we built castles with our mouths,
safe havens with our teeth.
after all this time, i still can't tell
whether he decorated my life
or vandalized it.
and i wonder if i will ever see him again:
painted and proud with those lips like royalty.
neo-Freudian idealsin 1886, Sigmund Freud employed free association;
the idea that a sick patient, terminally crippled with a nameless plague,
could list off the reasons why his bed sheets had holes in them.
paraphrased: the art of free speech.
my mouth is a gun and your name is a shooting range.
damp grass, our backs, semantics.
the psychoanalysts say we establish long-term memory
by stringing it all with prior meaning.
a flurry of sweatshirts and ripped jeans, stroking skin
in sign language only lovers speak.
hands, tongue, everything else.
Freud said that sometimes, a cigar is only a cigar.
i tell him how smoke spilled from your mouth into mine.
stale breath and gentle fingers probing, squeezing,
i trace my steps back to the night we crushed leaves into potpourri.
the scent of cold coffee permeated into the forest,
the tree roots soaking up our caffeine.
i remember you most clearly in the heartbeat between page turns.
you are full and real, the lump in my throat.
you are the holes in
the lump in my throat isn't always a poema man with a scruffy beard and ice-blue eyes once told me:
when we love, we get angry when we are not loved the same way.
i wonder if he saw the hint of indignation,
the fragments of promises still swimming in my irises.
i want him to know that my smile still stutters across sentences,
that even though i haven't broken yet, i'm pretty damn close.
i want to ask him:
if an avalanche occurs when no one is looking,
will there still be a feeling of panic?
what happens to the leaves on apple trees?
if the piano is out of tune,
why do we bother dancing in the first place?
there is this lump in my throat that has not yet translated into a poem.
i think it's stuck there for good.
the human body cannot discard vitalities;
it is not designed to expel emotional things.
as he undressed me for the third time that night,
i tried to imagine what the moon tasted like.
my tongue kept clawing its way to the back of my mouth.
i enjoyed it too much.
now, his hands find themselves curled i
Farmington Hills, MII.
i have this tendency to hide behind tall buildings.
skyscrapers are home, but your lap
is the most familiar place i will ever know.
when Thomas Edison invented the light bulb,
he did not account for your smile.
the brilliance of the two can blind,
subsequently terminating his patents
and deeming light fixtures illegal.
every time i'm on the highway past midnight, i'm reminded that
the difference between us is a 300-mile span of lampposts.
i'm sure that Thomas Edison didn't consider this, either.
if he had, he would have used that mind of his to invent teleportation.
he wouldn't want me stranded in a bed too large for a single body,
shivering with thoughts of damp fields and crunchy leaves and interlocking fingers,
mumbling about how quickly we turned upside down.
still, i think of you in the moments before i do something brave
like tell a secret or hold someone's hand during a movie.
you taught me that forgiveness comes in floods.
my eyes are a tsunami-tide away
the art of leavingtimes like this, i am convinced that we were just faking it,
how we traded dreams and comfortable anatomy
for secrets and messy closets.
it is nothing less than an unmistakable truth
that our coils are curled around each other
like infantile fingers:
all passion for passing time, no direction or destination.
we were consumed by our desire for warmth,
by our shared ability to extract smiles and steady breathing.
we taught each other the art of leaving
and because of this,
my name jitters caffeinated on your tongue.
i am combing through my bed sheets
in hopes of finding the salt i shed
to decorate my wounds with stings.
the process of healing is one i am continuously beckoned into perfecting.
i have already tricked myself into believing i do not need you;
i have already forgotten the shape of your face.
burning bodiesand we yearned for something deeper tangled between bed sheets
but our palms were always split open, spilling malice.
our bodies, always in dire separation
even in scalding proximity.
je dis beaucoup des mensonges.
i tell a lot of lies.
we curled ourselves alongside icicles to bury the flames.
my waist still feels like a graveyard.
even after all the times you tasted my bone marrow,
you still have the nerve to say i'm not bitter.
our mansion is burning from the inside out
and we force-feed the desire with
prolonged gestures and held-breaths.
our combined scar tissue lies in a heap on the floor of our shrine
and the skin is nearly poison when we add our cancelled convictions.
i tore myself apart until all my limbs
seeped into the dirt and sprung dandelions.
neither of our backbones found forgiveness.
we are hiding in the crevices of bedrooms
behind locked doors
underneath all the fight we never knew we had.
this is how smiles tear:
my teeth are lodged in your ribc
scars are more than upside down smilesto put the parallel lines decorating my wrists
like outdated wallpaper to use, i would peel
the scar tissue like the rind of a blood orange,
link the massacred pieces of myself into a chain,
and then throw it 300 miles right to the foot of your bed.
if there was a way to shift cities and collide hemispheres
until the stretch of miles between our aching bodies tightened,
i would do whatever it takes to bring you closer to me.
i would show up on your doorstep like an unexpected hurricane
and you would draw me in like a high tide. your porch light would
flicker like a fake smile and we would twist ourselves into foreign
tongues in each other’s mouths.
sometimes, our teeth rot in mason jars that used
to house fireflies in a time before we began this
downward spiral of inevitable events, and
you collected a basket full of skinned knees and
repeated apologies when you extinguished all of
my house fires with your bare hands.
my worn heart cannot fill the holes in yours.
sometimes it's best to abandon shipin the seas of my sailor-boy stories,
limbs of past lovers have been found
floating like forgotten prayers.
i have made far too many unlucky discoveries,
witnessed far too many good people
burn at the stake
to ever go back to child's play.
he is the rope not long enough
to save us from this shipwreck.
i am the anchor stuck in the sand,
cracking deeper with every wave.
the human heart is a muscle
not accounted nearly enough credit
for what it has been through.
so he folds his arms around me
like a flawless sail and tells me
that getting over people is easy,
that i could just forget the ways i
was altered and affected by the
plethora of existences that surrounds me.
with my flipped gut and over-tested nervous system,
i will trust him. i will listen.
this time, i am too far gone to risk it.
five ways to kill a mansomewhere before stressing away
my baby fat, i read that five ways
to kill a man included leaving
him somewhere in the clutches
of the twentieth century without
a home to nurse
his tachycardia back
but they never mentioned
that grief doesn't always catalyze
annihilation in the hands
of your own desolate storms.
somewhere before whispering away
my horrible taste in music, i heard
that it's always too soon for the end
to be near because hope
is a once-in-a-lifetime dream
you have on the poker-night of a blue moon,
oscillating between the acrimony
of the high tide and the blues
of the low
but it never said anything
about a sunrise meaning forever;
it never did, it never did.
somewhere before writing away the rawness
of a shallow cut in my bilayers, i memorized
'if' written by the withered hands of
kipling. i memorized the four-stanza'ed
sentence and hoped i'd never have to whisper
it to the broken ears of a departed
but that's where you lost
your headstart to the metro
001 i am a whirlwind of
an aching heart
a regret that could
bad days.on my bad days,
i open notebooks like bibles and hold pens like lifelines.
i keep opening the book of my memories
just to see if it still leaves a bruise.
i am covered in the bruises of your hand
your ghost is in my bed. i can't sleep there,
again i find myself miles from home
wishing on stars i can't see
and spitting memories into the ocean like watermelon seeds.
i sit on my longboard like driftwood and send my shivers into texts
like letters i never should have mailed.
on my bad days,
i wear cuts like ropeburn,
like i just don't know when to let go.
i get lost inside the sadness and hold tea thats long since gone cold
as hours escape like small birds set free.
i forget to open the blinds
and paint my fingernails black
and stare at the too-big numbers aligned on the scale i can't stop stepping on.
the rainchild, the skin dripped from his fingers & the blood beneath was clearer than the truth, rivulets of rainsong pouring down the storm drain straight to the pacific ocean ; he never needed to cry. "the clouds
shed enough tears for all of us," he told me once and i remember
when i first met him, those arms outstretched & palms like little pools, oases running through lifelines. the fortune teller told him he would only live as long
as the storm
"it's the water in my veins," he said; "it washes away the stardust & we are all drinking our ancestors' ashes, did you know my grandfather tasted," he said, "like raspberry cordial & did you know that freckles
are like nebulae & your cheeks are full of moonlight, did you know that thunder
only claps after the lights go out?"
when i was young i counted miles in the silence before those soundwaves drowned my ears in rumbles. the longer the silence the farther the light & now, my voice is racing to catch up with your radiancy. sometimes we can see but we
day eighty four.there was a frequency in the air that sizzled the way telephone wires do
when i picked up the electric buzz your body generated next to mine.
swam in it for a while; curiously mistook the hub of electrolytes
dancing ionized glory on the surface of your skin for something far less
superior, or more.
and i swear, i swear our continuance shifted. i swear that the stillness of
wavelengths radiating from the base of your throat rendered itself
the course of grace. dawn frowned upon day like it wasn’t supposed to be there
just yet. night crawled under the covers of starlit gaze. and all the while,
you just cracked and popped in time-strewn intervals dimly, vaguely
here and there,
here and there.
symptoms of red a materialist
inside of you
unknitting your sweater
& in your dream
you are a wolf eating
a flower in an orange field. the world
is ending. an unnamed girl stains you
as if she were tea
giving up to a
she writes a story: the unrequited
blurry visions of two visionaries
i would say my father is a wari would say my father is a war horse but that is a failed symbol
because he has been dragged through the dirt as many times as this metaphor
i want to write in abstract like in a book of
contemporary poetry i bought over the summer;
it was all syllables and lines of 'talk talk talk' repeated over and over
i want to write something that describes how i feel without saying a word that describes it -
dust and ache and tired and bone and overflowing and lonely and fuck and .
i want to write poems that have meaning without being cliche i want poems
that defy grammar and space and time because when someone reads them, they become me
i want someone to read this and know
it is approximately 12:04am
and my ears are itchy and my eyes -
my eyes -
i feel a deer prancing behind my eyes, his heavy antlers pushing
against my forehead and i should name him athena because i've got an olympic-sized headache
but instead the deer yells WANNA GO?
and he says it like an angry, unde
one day, i sent a letter to the mooni got sick of our tired old earth
and asked if i could join
the man in the moon
on an afternoon for coffee;
he preferred tea.
i.i'm all eat-to-much
all scars and never tears.
i am care-too-much
all question with no answer.
i am a contradiction
ask me, i will tell you i don't know.
i just don't know.
i am 3am and the heavy morning hours that suffocate
in that breath before dawn.
i am a fish with no urge to swim
a childhood memory of how things should've been, a broken bone reset.
a game over. try again?
i am all supernova when your lips are on mine. all confused,
all child-in-the-cookie-jar again. listen, maybe you are my guilty pleasure,
another addiction i can't stop.
because i am like lightning, i never know where i hit
i just fell in love with the ground, i never meant to hurt the ones i love.
i am all tell-too-much
i say too little when you need me to speak,
and too much when you need me to listen.
i don't know how to be myself without apology.
listen for my voice,
sometimes i lose it in the crowded spaces of my head.
but speak to m
the planets threw us into battlewe skipped over the crack of dawn, whispering
about trivialities and the span of your arms; how
they held me like a dandelion seed holds desire.
lover: once, amidst a hurricane of blind love and inexplicable anger,
i rushed down the highway like a bullet from the loaded gun of
irrationality at 100 miles per hour. i was headed toward the tail-end
of the first semi-truck i could find. your arms became my seatbelt,
fastening themselves around my waist like loyalty. i startled myself
out of disillusion and drove back home.
under the bite of a lone lamppost, everything goes sour.
my mouth no longer moves with purpose or joy. instead,
i catch myself wondering when my bones will stop striking
neptune's surface, creating more cracks for us to skip over.
i told you,
lover: i am a soldier. i barricade myself with rusty metal,
scatter moon dust with the brush of my fingers. neptune
is 30,600 miles in diameter but i will crawl it on my hands
and knees until we reach for
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A two-time Community Volunteer for the deviantART Related category, Anne is well-known as a positive, helpful force. She is the community's resident expert when it comes to CSS (Cascading Style Sheets), and her personal gallery offers a wide variety of tutorials for new and experienced coders alike. In addition, each winter she hosts a calendar project encouraging members to create Journal designs for all to use, bringing more creativity to the community.
It is with immense gratitude that we acknowledge Anne as the recipient of the Deviousness Award for October 2014. Read More